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The producers of The Twilight Saga, aren’t interested in the story they’re milking for more than it’s worth. They’re even making five flicks, although Meyers penned only four books. Each new release is money in the bank, forked over by blind-faith fans raring to stoke their hormones with a bare-chested hunk, a sensitive guy and their supernatural sock hop romance of a wishy-washy chick.
Why try hard when Twihards line up for anything Jacob, Edward and Bella?
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Gary Winik directs, from Jose Rivera and Tim Sullivan’s transparent script, and Winik does little more than follow the path laid out for him for a predictable, sappy romance, the kind that will appeal to adults headed to the multiplex for something besides Robin Hood and Iron Man 2. Every sequence in Juliet unfolds as expected, giving the film its secure, cozy, warm-blanket feel.
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If there is one thing that Tom Cruise understands it is how to be a movie star. He has been doing it successfully since he helped make subway travel so sexy in his breakout hit Risky Business (1983).
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This amiable, if slightly saccharine sex comedy (scripted by Sean Anders and John Morris who co-wrote the upcoming Hot Tub Time Machine) tells the story of Kirk (Jay Baruchel) an airport security guard who meets the beautiful Molly (Alice Eve) and through a series of events, summons the courage to ask her out on a date.
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Today’s updated Kid goes an ocean further, exporting its black Detroit youngster Dre (Jade Smith) all the way to scrubbed-up Beijing, where his braided hair gets fondled and his race is a novelty. He’s also, unambiguously, a kid: all of 12 and hardly the man of the house.
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